The News In Poetry Day 3: Brotherhood

http://m.guardian.co.uk/world/2013/mar/15/muslim-brotherhood-backlash-un-womens-rights

This makes me so sad. Really, that anyone could value their “right” to beat, rape and control the movements of their fellow humans so much…
I always think of violence against women as something that happens in the heat of the moment, because of deep underlying issues. But no, sometimes it’s held sacred.
My quarrel here is not with Islam. It’s with anyone who defends violence against women.

Oh brothers: hear your sisters.
For they, too are sacred creations.
For like you, they feel Allah’s presence
As close as their jugular vein.
Like you, they pray.
Try each day
To do the right thing.
No law protecting your sisters from harm
Should be a threat to you.
No agreement that rape is always wrong
Should undermine you.
Brother, release your grip upon your sister’s wrist.
She will stand alongside you
Proud of her faith
Not beaten into it.
Inshallah

The News In Poetry Day 2: Excuses

http://www.bbc.co.uk/news/education-21785796

The same old ‘problems we inherited’ excuse rears its ugly head in this piece about a shortage of primary school places. I think the only thing that could get worse for teachers at the moment would be having that bunch of spoiled brats in their class.

You’ve had a lot of chances

I’ve been extremely kind

And when you took advantage

I pretended not to mind.

But your homework has been shoddy

Your behaviour’s a disgrace

So stop blaming everybody

In an effort to save face.

You’ve blamed your poor attainment

On the boys on table two.

And while they’re far from perfect

The buck must stop with you.

I’ve heard reports of bullying

And money being taken

And If you think I’ll stand for this

You’re very much mistaken

I wish that I could teach you

The error of your ways

And take the time to reach you,

To find something to praise

But with class sizes expanding

And budget cuts to schools

My job is too demanding

To give my time to fools.

The News In Poetry Day 1: High Expectations

Hello, I’m at it again. A poem every day for 100 days, inspired by that day ‘s headlines. Today there’s a lot about what the new pope is going to be like.

His Holiness Francis, the Bishop of Rome
Has got a new outfit and upsized his home.
It’s his very first day so lets see how he copes:
He’s determined to be the most holy of popes.

He’s got a new hat and he’s got a new name.
He’s got instant and permanent catholic fame.
But he’s new in the post and he’s learning the ropes
He’s going to become the most gracious of popes.

Are there changes afoot? To be bold, will he dare?
Will he energise Rome like a breath of fresh air?
Or just keep on repeating those weary old tropes
That we’ve seen in the last thousand years’ worth of popes?

He believes same sex marriage will ruin God’s plan.
And of choices for women he’s not a big fan.
Of reform in the church we can lower our hopes
Cause he’s going to be like all the other damn’ popes!

Univocalism: Moor.

OK, So I’m a big copycat. I saw Mark Grist perform a (better, longer) univocalism called Fens last night. Here is my first attempt at one called ‘Moor’. (I’m a Yorkshire girl after all) .

EDIT: It’s longer now.

Moor

Cold swoops on t’moor. Storms howl old songs of sorrow, of folly, of loss. Cold fog blows, holds spooky forms, shows Poor Flo’s story. Long, hollow gloomy. So, look.

Only two, Flo’s joy is songs. Mom croons. “Don’t  stop!” coos shy Flo, “Song! Song!” Mom knows lots of songs: of joy, of sorrow, old songs, cool songs. Mom’s songs hold Flo, show Flow worlds. So Flo holds Mom. Croons, knows joy.

Too soon, Mom’s old. Songs flown, Mom looks ghostly now. Mom’s hollow, gloomy. Flo shows Mom old photos. No.

Moon glows.

Mom’s body rots on’t  moor. Now, Only Flo croons old songs.

Now, Bob. Cool sod! Oh how Bob shoots off his gob. How Bob robs loot, lolly, dosh. Not poor, old Bob, no! Crook, not fool, Bob hooks goods, fools hoods, shoots folks for dosh. Bob’s no good, but Bob’s  cool. Bob’s hot. Bob’s got lots. Downs cold Scotch, Bob’s stronghold’s old gold. Own Rolls. So, not lots Bob’s not got.

Flo knows only songs. So Flo croons for loot. Not lots. Flo’s poor. Croons songs for folks, body on show. Bob spots Flo. Flo looks, swoons.

Bob’s lost. Coo-Coo for Flo. Bob won’t shoot, won’t loot, no hoods. For Flo, Bob’s good.

Now cops know Bob robs. Bob scoffs. No cop’ll fool Bob. Bob hops town. Bob’s off. Cop’s don’t follow. Cop’s don’t know of Flo, on’t moor.

Flo won’t go from t’moor. Mom’s tomb, now.

So Bob’s now sold stronghold, gold, Scotch, Rolls for Flo. Oh! How Bob moons for for Flo, swoons for Flo!

Flo don’t know Bob’s shot folks. Bob broods. Looks on Flo: oh, shy, coy, doll. Now Bob’s moll? No! Bob’s ploy:  Flo won’t know. Not of Bob’s old job, not  of folks Bob’s shot. No.

Ghosts of shot folks spook Bob. Old wrongs prod Bob. Bob looks hollow. Bob’s sorrow glows, grows. Bob’s no fool. Bob knows to go from Flo.

“Oh, don’t go!” Sobs Flo, who knows Bob’s not known for pomp. When Bob’d woo Flo: no blooms, no songs, no loot.  Only Bob, Bob who longs for Flo. So Flo knowsBob won’t go. No?

Oh, how Bob fools Flo. For Flo only knows Bob’s story: Bob’s cool. Bob’s good. Bob boosts Flo’s joy. Bob’s God to Flo. Bob’s got to go.

“So long, Flo.”

Flo howls, “No, no!”

Bob’s not god nor holy, no, nor good. Bob’s low. Bob’s lost. Bob’s hollow. Only Flo shows sorrow for Bob. Only Flo sobs. Bob’s sorrow grows. So now Bob knows: No show, no pomp: only go from Flo. Jog  on.

“Oh no, don’t go. Don’t go!”

Bob knows to go won’t show Flo Bob’s folly. Boots on, Bob shoos Flo: “Got to go, doll, don’t howl so, sob so. No show of sorrow. So long.”

Storms howl on’t moor. Bob’s boots go down on soft sod.  Foot throbs, Storm won’t stop. Bob’s cold now. Fog – frosty, soggy gloom – holds Bob. No howl, no sob from Bob. Only, low, “Sorry Flo”

Flo sobs,  rocks to, fro, to, fro. Longs for Bob. Croons old songs  “My boy, My boy, My only joy” Sobs for Mom, for Bob,

Flo knows Bob’s on’t moor. Flo’s got old now, longs for Bob. Good Bob, cool Bob. Holy, godly Bob. “Soon, soon.” croons Flo. Don’t go for so long , my boy, my only Bob.”  Not only Flo, now. Flo’s got Toto – poor dog –howls on stoop. Flo coos –good dog, good dog. Toto howls for Flo, now. Flo’s dog.

So Flo holds Toto. Looks, won’t stop. Sobs for Bob. Dog howls,Flo croons on’t moor.

“My Boy, my boy”

Flo’s loopy. So old now. So long, so long, Bob Told Flo. Oh, so long! Flo sobs so!

Only got Toto, poor old dog, to worry, now. “Good Toto. Good boy. Howl for my Bob. Spot Bob on’t moor.  Soon, oh, soon. Good dog”

Moon glows

Flo’s dog howls. No cry from Flo now.  No song, No sorrow. Nowt. Flo’s off to Bob.

Only Toto now.

Poor dog.

Fruit And Flowers (Poetry Form 100: Rhymed Sestina)

So, here we are at post 100
I’ve finished as I started, with a sestina, but this time it’s a rhymed one.
It’s mine and my wife’s fourth wedding anniversary, and the fourth anniversary is apparently the fruit and flowers anniversary. I still don’t know who makes this stuff up…

So, this has been fun. I hope everyone’s enjoyed it!

Our anniversary of fruit and flowers
A strange tradition, different every year
There’s paper, cotton, leather… Love like ours
Needs no materials to prove it, Dear,
For we share food and jokes and friends and showers
Who needs these things to tell us we are near

Each other’s hearts? They can’t even come near!
I know I love you without fruit or flowers
We don’t need strawberries or falling showers
Of petals to remind us, that this year
Our wedding’s four years old and you’re as dear
To me as when I’d known you 20 hours.

Now married nearly forty thousand hours
(Well, give or take – that number’s pretty near)
I might forget, sometimes, to say how dear
You are to me, and so perhaps the flowers
And fruit do serve a purpose, and each year
They make sure that we keep on sharing showers

And sadly, in this world nobody showers
Us with approval for this love of ours
Though things are getting better every year,
And to equality we’re getting near,
Certain receptions, limousines and flowers
Tell us that ‘straight’ is held as far more dear.

So we must celebrate our love, my dear,
Though we don’t need those crazy wedding showers
We have the right to have our fruit and flowers
And tell the world about a love like ours
And say that we are happy to be near
Each other every day of every year

And so, my love, it’s been another year
I hope that you do not regret it, dear!
And as our sixtieth draws ever near-
Er than it was, lets hope that money showers
On us, so when the diamond year is ours
We’ll celebrate with more than fruit and flowers!

I’m glad we’re near each other, and, this year,
I’m glad to give you fruit and flowers, dear
So here’s to mutual showers that last for hours!

Golden (Poetry Form 99: Fib)

This poem isn’t a fib, it’s the truest poem in this sequence. But a Fib is the name for a poem that takes its syllable count from the Fibonacci sequence.
This, on the eve of our 4th wedding anniversary, is for my wife.

We
Met
By chance.
Didn’t seem
Important at first.
But it wasn’t too long before
Our love began to develop exponentially
So fast, so intense that it became difficult to remember how it was before.
The day I met you. That chance meeting began a sequence that sometimes seems to make no sense but step back, see our love’s perfect spiral symmetry.

Cumberwood Tales (Poetry Form 98: Shairi)

OK, since I’m nearly at the end, I’m indulging in another dedication poem. This one is for two storytellers who are getting married, and have been wonderfully encouraging of this crazy project.
It’s lovely to hear them tell stories each in their own unique way, but also to spot how they’ve influenced each other, both consciously and unconsciously. (One side effect was that Robin Hood inadvertently became a real mensch.)
This poem is an inexpert attempt at capturing that.
This is a Georgian form, by the way, (the country, not the historical period) called a shairi.

So this is for Simon and Shonaleigh

Come close and listen carefully to what I have to say because
Old Robin Hood is not the green-clad nobleman you thought he was.
He could have been just one of many peasants forced to break the laws
But the stories I can tell you, whether true or not, will draw applause.

Now gather round and listen well to what I have to say to you
Because I am your dru’tsyla, can make the old sound like the new
And keep alive the stories that sustain and keep our culture true
And maybe when you hear them they will influence the things you do.

Now Robin Hood, his chutzpah earned him lots of notoriety
And Moishe Pupik slew the dragon, using guile and trickery
The Sheriff was a goniff and his mishegas was plain to see
And deep in darkest England dwelt some schmucks as bad as they could be.

Sometimes we take our stories and we blend them, make a hybrid of
The one and then the other, mixing rainbows from the stars above
But now we see these cultures come together like they are in love.
And this we hope to celebrate with cries of “cheers!” and “mazel tov!”

Littlegirl Games (Poetry Form 97: Pushkin Sonnet)

Also known as Onegin Stanza, this form was created by the writer Alexandr Pushkin.

This is vaguely influenced by my favourite line in Margaret Atwood’s novel Cat’s Eye:

Little girls are cute and small only to adults. To one another they are not cute. They are life sized.

I know the grownups cannot see it
They look at us and think it’s sweet,
The way we play, my friends and me, it
Looks so friendly, prim and neat.
But Poppy is a cruel dictator
She terrifies us and we hate her.
She makes the rules of every game
Each time we play it is the same:
It seems like fun to an outsider
Really, what it’s all about
Is ways to single someone out.
If one girl fails, we all deride her
With no-one daring to refuse
We all have far too much to lose.

The Church Of Cake (Poetry Form 96: Long Hymnal Measure)

Another Hymn form today, Long Hymnal Measure is the same form that the hymn Jerusalem is written in, so this is also a bit filky, too.

This, to be sung to the tune of Jerusalem, is the first official hymn of the Church Of Cake, into which I was recently ordained by Kate, on Foley’s behalf.

I’m not the sort to kneel and pray
Temples and churches leave me cold
I cannot follow, day by day
Teachings judgmental, cruel and old

I cannot even say I’m sure
That there is any god at all
And I don’t think I am impure
I don’t believe from grace I’ll fall

Bring me my bowl and wooden spoon,
Bring me my sugar, eggs and flour.
This miracle shall happen soon
When it has been baked for an hour!

If you would share in our delight
In our communion, please partake:
We know you’ll savour every bite!
Come join us in the Church of Cake!

(So) Over The Rainbow (Poetry Form 95: Filk)

This is a poetry form.
Weird Al Yankovich is a poet.
I bloody love filks.
Apologies to Judy Garland and E.Y. Harburg.
This one is a really depressing one about feeling disillusioned about the struggle for lgbt rights. Sometimes it feels like we’ve gone backwards, out of technicolor and into black and white.

Obviously I don’t always feel this way.
I do right now, though

I’m so over the rainbow
This is why
There’s a future I heard of once, but it’s all a lie.
Was all over the rainbow.
Bright and new
When the dreams of equality
Seemed like they’d come true.

I used to wish upon a star
That homophobia’d be far behind us
That attitudes would start to change
And queer would not seem quite as strange.
They would not mind us.
I’m so over the rainbow
Though some try.
Fighting over the rainbow
Why, then oh why should I?

When crappy little factions try
To own the rainbow
Why oh why should I?