Stain (Poetry Form 34: Concrete Poetry)

Not my comfort zone, here is a concrete poem. Not sure how poetic it is, but it is surprisingly fun to do.
This is what was happening in our house while we were away. EDIT: Please ignore the underscoring and backslashes. Turns out formatting concrete poetry on WordPress is a nightmare.

_____ __________attic

___________the                crawl
______in                                           space
Somethingvitalhas    rustedthrough

overf l
rises    o
slowly     w
the water    i
And                  n

_____________g onto and
into the eaves,
__________through plaster
and drips
______drips

________d
to form damp planets

_________r

and coffeestain monsters

_________i
which grimace down at me

_________p

from the bedroom ceiling

__________s

As I stare up, full of dread.

Gifted (Poetry Form 33: Senryu)

Another short one today owing to severe jetlag.
A Senryu is a like a haiku but about humans rather than nature. It is also more apt to be lighthearted or sardonic than a haiku.
This one is about my two-year-old niece.

Given felt tip pens
With which to express herself,
She tattooed the couch.

Morning After (Poetry Form 32: Pantun)

A pantun is a Malaysian form. It’s short and has inexact rhymes. Which is what I need this morning.

The crushed remains of wedding guests
At breakfast; groaning, reminiscing
The happy couple, sadly missed
Exhausted, sleep. Too tired for kissing.

Epithalamium for Laura and Nick (Poetry Form Thirty One: Ode)

The genre of this poem is epithalamium, or wedding ode, because it’s
my sister in law’s wedding day today.
The form, however, is a Sapphic ode. An appropriate tribute from a lesbian bridesmaid, no?
Laura and Nick, this is for you. xxx

A dance of laughter, love and shared conspiracy
Of understanding, honesty, affection.
Perpetual motion stretching to infinity:
A shared connection.

A yin and yang of calm and excitation
Which alternates: first one and then the other.
The balance is maintained by dedication
To one another.

But there’s a stillness, deep within the dance
Two souls entwined in silent sacrament
This love was destiny: no fluke of chance.
No accident.

Today, you speak the truth you’ve always known.
And, joining hands, you truly come together
To make this ancient covenant your own.
And dance forever.

Van Gogh’s Olive Orchard (Poetry Form Thirty: Double Ethere)

Yesterday I saw some Van Gogh paintings. I was particularly struck by one called the Olive Orchard. The inherent disquiet in such a stereotypically idyllic subject is quite upsetting up close. This is an ekphratic poem, in that it closely describes a work of art, but the form’s called ethere.
An ethere has ten lines and no pattern of rhythm or rhyme. Each line contains the same number of syllables as its line number. There is also a reverse ethere, which is the opposite (first line contains ten syllables, second has nine, etc.) This is a double ethere, consisting of an ethere followed by a reverse ethere.

Trees,
A field
And sunlight.
This ought to be
A pastoral scene:
Summer in the country.
But the sky is turbulent
But the branches writhe like serpents
But the ground lurches beneath his feet.
So he takes his brush and tries to show us
The way his nightmares infiltrate the day.
He mixes his too-vivid colours
Feverishly tries to show us
How his world won’t stop moving:
Nothing is ever still
And there is no peace
Not even here
In sunlit
Olive
Trees.

The Dreadful Story Of Thomasin, A Grammar Pedant (Poetry Form Twenty Nine: Cautionary Tale)

Heavens! I’ve been featured on the NaPoWriMo website. Hello Napowrimoans! *waves*

Cautionary Tales are grisly stories, usually in rhyming couplets of iambic tetrameter, expounding on a major flaw in the main character, and telling, in unpleasant detail, what dreadful fate befell them as a consequence. They are generally darkly humorous, making them popular with children, but have a serious moral message. This one is about me, and is all true except the ending (hopefully).

The chief defect of Thomasin
Was putting all the commas in
To other people’s notes and letters
Insisting she could make them better
Because the person truly hated
To see things badly punctuated
Poor grammar use and careless spelling
Had them swivel-eyed and yelling
They would start up great petitions
Slamming dangling prepositions
And their rage made people stammer
Fearful they’d correct their grammar.
They had known, fresh from the womb
How to distinguish “who” from “whom”
So they’d get angry, and they’d show it
When their peers didn’t know it.
Thomasin was so pedantic
They drove everybody frantic.
But alas, one fateful night
Mx Thomasin beheld a sight
That pained them mightily to see:
A twenty-four hour pharmacy
Which said (and here they had conniptions)
“Were here to help with you’re prescription’s”
Though the hour was very late
Our hero did not hesitate
For they knew no catastrophe
Worse than a rogue apostrophe.
So in they marched, and, feeling strong
Cried out “Your sign’s completely wrong!”
But found, too late, that they had stumbled
On a hold-up, badly bungled.
The mood was tense, the guns were out
And seeing them, the robber shout-
Ed, “You best lay down on the floor
And don’t tell no-one what you saw!”
Said Thomasin “It’s lie, not lay,
And I don’t think you meant to say
“Don’t tell no-one” because that means
You’re asking me to spill the beans.”
The grammar lesson ended there
The gun’s report hangs in the air.
And from our pedant’s temple pours
A final unrestrictive clause.
The moral’s what you all expected:
No-one likes to be corrected.

Air Travel (Poetry Form Twenty Eight: Haiku)

OK, for real this time, a haiku.
Much as I complain about laughably awful food, ridiculously long queues, turbulence ranging from irritating to nauseating to HOLYSHITWE’REDOOMED, and crippling expense. I still think aeroplanes are awesome.

Flying over clouds,
Looking down at continents:
It never gets old.

Springtime in NJ (Poetry Form Twenty Seven: Renga)

This is in response to a NaPoWriMo prompt to “go outside” and be inspired. There’s a lot of cherry blossoms outside, which put me in a haiku mood. I like the idea of grouping haiku together, to be read either as a series of poems or as one poem using the separate haiku as stanzas. EDIT! It turns out that doing this is a poetic form discrete from Haiku. Apologies for the confusion: today’s poem is a renga!

Cherry blossoms fall
In a New Jersey suburb.
Nature’s beauty, tamed.

Wild violets grow
In the manicured verges
Where nobody sees.

You are no robin!
You great big overgrown thrush!
Rusty impostor!

“The deer are real pests!”
Grumbles the man whose garden
Invades their forest.

For Dorothy (Poetry Form Twenty Six: Ghazal)

I’ve had a go at writing a ghazal. I’ve never encountered a more humbling poetic form. Done well, a ghazal is beautiful, poignant and evocative. See the poems of Rumi for some fantastic examples.
Done by me, it’s slightly awkward doggerel. I now know how my main source of poetic inspiration, Dorothy Parker, felt when she said her verses were “no damn good” and refused to call them poetry.

Ms Parker, can it be you didn’t know it?
How you’d be loved as ranconteuse and poet?

Each pithy little line you penned will show it,
And yet you said you never were a poet.

Some writers, with their egos puffed, will crow it!
Erroneously sure that they’re a poet

But you called your lines “no damn good” and oh! It
Stings: you did not count yourself a poet!

For if the standard’s set so high, I’ll blow it
And this word geek can never be a poet.

Bagel Blues (Poetry Form Twenty Five: Lento)

It’s the end of Lent. Have a lento! Rhymes at both ends of the lines!
Also, sorry, despite being about Jewish food, this piece of nonsense verse is not kosher for Passover.

Bagel Blues

We have them in England, these dry little rings
Of tough, chewy dough that we spread with cream cheese.
She told me she was unimpressed with the things,
Loved bagels, but wasn’t enamoured of these.

To me, it seemed like we were living the dream!
Just like people in films about life in New York
Who eat bagels with lox, who drink coffee with cream.
Must have seemed such a fool with my touristy talk!

Now I’m here in the States and the bagels, my god!
They are great crusty pillows of savoury joy!
How they steam in the bakery window! I nod,
Say I see how those bagels at home might annoy.

What will happen next week when we go home again?
Won’t they seem unimpressive, those cheap imitations?
Got to just make the most of these bagels till then.
Don’t you think it’s a shame they’re not shared by all nations?