Sestina Day 95: Puppy II

The words Dog. Banana. Wooden. Metaphysical. Andrew. Gesticulate were texted to me by James Bruce, and accidentally inspired a sequel to last Saturday’s Puppy poem. Weird…

He was a funny little boy, our Andrew,
Unique, you could say. Or else sulky, wooden.
He wouldn’t speak for days: I’d go bananas.
And he’d do nothing but gesticulate.
Though, when he talked, he’d get all metaphysical
He’d ask what Jesus looks like to a dog.

He was determined, then, to have a dog.
And very single minded was our Andrew,
When I’d say no, he’d wax all metaphysical:
He asked me, once, if grown-up souls were wooden
To not love puppies. He’d gesticulate
His rage, till we all thought he’d gone bananas

For weeks he would eat nothing but bananas
“I’ll eat my carrots when we’ve got a dog”
What could I do except gesticulate
And dust my knick-knacks and ignore poor Andrew?
He’d got to learn, although my heart’s not wooden,
Sometimes the answer’s “No.” so metaphysical

That boy, he’d always get so metaphysical!
Just six years old and munching on bananas
His sullen face as stiff as any wooden
Mask. And all he wanted was a dog.
It broke my heart to disappoint poor Andrew,
But how his father would gesticulate!

(Like Dad, like son: they’d both gesticulate
When angry) If the metaphysical
Had become physical, and little Andrew
Had got his puppy: he’d have gone bananas!
My husband never could abide a dog.
And I preferred my pets polished and wooden.

I see now why he thought of us as wooden,
Why he would sulk, and then gesticulate:
We could have made him happy with a dog.
Instead, our household never met a physical
And vital life, and so we bought bananas
And slowly crushed the dreams of little Andrew.

A dog just might have made us act less wooden
And Andrew might have stopped Gesticulat-
Ing. Metaphysically, we’re bananas.

Sestina Day 94: Falling Asleep

It’s like being gently swaddled in soft cotton
The world gets warmer, quieter, further off
And images begin to flood your mind
A mass of jumbled pictures of the day
For you to fit together into dreams
As you sink deep into oblivion

But just before you reach oblivion
When you can feel the texture of the cotton
Pillowcase against your cheek, when dreams
Wait in the wings until you do drop off,
You start to re-experience the day
And fit it all together in your mind

The time you said you really didn’t mind
But would have cursed them to oblivion
For making you look unprepared today
Floats up through those protective layers of cotton-
Wool we call subconscious. Shake it off
You’ll sort it out much later, in your dreams.

For that’s what they are for, all of your dreams
Not prophecies or omens, but your mind
Untangling itself. You start it off
In that brief space before oblivion
And after wakefulness, wrapped up in cotton
All safe and warm, you’re ready for the day

And all its meanings – for although the day
Is over, it comes back again in dreams
You wrap your feelings up in fluffy cotton
To keep them well protected in your mind
Then empty them into oblivion
Until you find, at last, you can switch off.

There’s something comforting in nodding off,
Abandoning the troubles of the day:
A homecoming into oblivion.
You snuggle in the waiting arms of dreams
And settle down to sorting out your mind
Protected from the night by soft, white cotton.

Alas, oblivion is so far off
No cotton sheets for me –there’s so much day
To get through. All my dreams still crowd my mind.

Sestina Day 93: The Truth.

You do not really know your online friends.
Although you think you do, it’s an illusion
They make you feel as if you understand
Each other, but in fact you barely know
What sort of person’s staring at the screen.
Online, we are not who we really are.

Their profile may not tell you who they are:
It’s calculated to attract more friends.
Who tells the truth, hidden behind a screen?
The perfect chance to spin a grand illusion
Of popularity. Come on, you know
You’ve done the same, and so you understand

So why is it so hard to understand
That others hide the truth of who they are?
We like to think that we are in the know
And can’t be taken in. We call them friends
Participating in our own delusion
Invest so much emotion in the screen

We scrutinise their pictures on the screen
And though, as adults we can understand
That all we see may well be an illusion
Still we believe they’re who they say they are
Though one dimensional, they are our friends
Could they be hiding something from us? No!

Or, if they are, we do not want to know
We’d rather trust the image on the screen
Implicitly, than really know the friends
We make online. Who wants to understand
All of the faults that make them who they are?
Sometimes we just prefer the damn illusion!

But now and then that beautiful illusion
Is shattered, and then we are forced to know
Exactly how unreal those friendships are
No more than pixels cluttering the screen
And then, we briefly truly understand
That friends we make online are not real friends.

We think they are, but that is pure illusion.
Our friends are people whom we really know.
We trust the screen, and fail to understand.

Sestina Day 92: The Buried Moon

This is a traditional English folktale.

The village is surrounded by a bog
That’s home to boggarts, goblins: sprites of darkness.
They fear the sun, and cannot stand his light
But creep out of their hollows in the night
To lure lost souls to slimy, stinking death
And then they fear no force except the moon.

And how they hate her! Lovely Lady Moon,
The friend to travellers lost in the bog
Who, late at night have wandered close to death
She lends her light to guide them through the darkness
So they escape the creatures of the night:
The creatures who detest her silver light

One night, a wanderer, bereft of light
Searching the empty sky for Lady Moon
Began to fear he’d not survive the night
That he would be pulled down into the bog
Cried out into the dank malicious darkness
“Oh save me, Lady Moon, from certain death!”

And she would not condemn a soul to death.
She hurried down, and spread her gorgeous light
Sent all the goblins scurrying for darkness
Resplendent in her goodness: Lady Moon
But suddenly her cloak caught in the bog
And she was trapped: the goblins had the night.

They swarmed towards her, filling up the night
All eager to condemn the Moon to death,
They forced her down into the stinking bog.
Extinguishing her haunting, silver light.
But soon the villagers all missed the Moon
As every night meant unrelenting darkness.

They asked a wise old crone about the darkness
She said the moon would not forsake the night
She must be in the bog. They sought the moon
Weak mortals in the dark, all risking death
They found her, and they freed her silver light,
And as she rose, her face lit up the bog.

Oh Lady Moon, protecting us from darkness!
Lost in the bog, we call to you at night:
We’ll not fear death while you give us your light.

Sestina Day 91: Timewas

An attempt at post apocalyptic futurespeak. A sort of extracomputery Riddley Walker, incorporating an idea I had about a future tribal society based in abandoned retail parks…

Timewas, way spoolback in the beta longgone,
So googolmany units vital-functioned
In ministores prepackaged, branded “home”.
And earlymodels gamed without alert
Pre megabluescreendeath, the world was other.
It all rebooted wrong after The Crash.

No unit clicks what programmed in The Crash.
Why laptops froze, so far in beta longgone,
So units could no longer mail each other.
The creditstockitmarket quit to function,
The database went into red alert
No unit dared to leave the thing called home.

In uptodate, there’s no such thing as home:
We’ve lived in retailoutlets since the crash.
And I stand firewall, ready and alert,
Although they haven’t raided us in longgone:
The lidlunits have a virus function
Lidl and Comet units hate each other.

We cannot trust their content: they are other.
Though, in the beta, we’d have felt at home
With them, postcrash, we can no longer function
Because they think our people wrote the crash.
On living laptops, spoolback in the longgone.
So they are malware. We standby, alert.

We scan our earlymodels with alert.
Recharge them when we can, and blog each other.
It’s hard without the laptops, but in longone,
The megavirus came. It wiped the home-
Screen, caused the wholeworldweb to crash.
And, uninstalled, the units could not function.

Though we are loading slowly, we can function
Without the laptops. But we must alert
The earlymodels all about the crash
So they will click, and learn to blog each other.
One day, we’ll reinstall and go back home.
Copy timewas, way spoolback in the longgone.

PreCrash, all units thought that they could function.
But in longgone, they should have been alert:
If they’d been other, we’d upgrade to home.

Sestina Day 90: Puppy

The little boy is staring at the clouds
His body warm against the stony granite
He wants to beg his parents for a puppy
But dad would never let it in his car
And mummy’s often told him that her keepsakes
And collectibles would always be in danger.

If they brought in a dog. There’s not much danger
He knows, of them relenting, so he clouds
Over. Blank and glazed as any keepsake
On mummy’s shelf, his eyes as hard as granite.
Dad shouts. It’s time to go back to the car.
He sets his jaw. Don’t think about the puppy.

He’d love to ask them: can we get a puppy?
And then hear, not a lecture on the danger
Of what could happen to the precious car,
But shared enthusiasm. Now the clouds
Are darkening. “don’t dawdle!” Hard as granite,
He sullenly straps in but his heart keeps ach-

Ing. Mummy has bought another keepsake
From the little shop. A small ceramic puppy.
He stares at it and then the mask of granite
Starts to crumble, and he knows he is in danger
Of crying, so he stares out at the clouds,
And watches as the trees rush past the car.

His dad’s so proud and happy with his car.
Like mummy with her pretty little keepsakes
It gives him so much pleasure. Hot breath clouds
The window in the back. A little puppy
He couldn’t mind. There’d not be any danger.
But no. He knows his dad’s last word is granite.

He looks back at the shrinking cliffs of granite
Out of the window of the gleaming car
Seatbelted and protected from all danger
All neat and tidy, mummy’s little keepsake.
Out on the cliffs, a boy plays with a puppy
As dad drives on, beneath the looming clouds.

No danger in a life as dull as granite:
But sadness clouds his face, as in the car,
He grips mum’s keepsake: cold, ceramic puppy.

Sestina Day 89: Unicorns

A soppy bit of whimsy about all the unicorns leaving Sheffield and going to Manchester.

All of the unicorns are leaving Sheffield
Snorting and stamping, now they’re on their way.
Just look, and make a wish, and you’ll see
Out on the hills today, a little magic:
A flash of silver horn, a rainbow mane
The sound of golden hoofbeats on Snake Pass.

If you don’t pay attention, you could pass
And never see the unicorns of Sheffield
One of them might be showing off her mane
And she could stand directly in your way,
But if your eyes aren’t open to the magic
You’ll sigh and walk around, and never see.

It took a little time for me to see
The unicorns of Sheffield. I would pass
Them, unaware, oblivious to magic
I thought there could be no such thing in Sheffield
I’d see the sparkles and I’d turn away
And think “just stay aloof, and in the main

You’ll seem mature” I’d shun the gleaming manes
and tails and sparkling horns. I wouldn’t see
The magic if I turned my head away.
But unicorns don’t quit. It came to pass
That I could see the unicorns in Sheffield.
And, after all, I still believed in magic.

And when they’ve vanished, will there still be magic?
Will there be rainbows here, without their manes?
For all the unicorns are leaving Sheffield.
Go out and look this weekend and you’ll see
Them galloping along the Pennine Way
And grazing in the woodland at Snake Pass.

And if you see them, call out, as you pass:
“Sheffield will miss you. We will miss your magic.
We know it’s time for you to go away,
But still we wish, so much, that you’d remain
With us forever more. When will we see
You all again? When will you come to Sheffield?”

Just maybe, unicorns will pass this way
Again. And maybe Sheffield will be magic.
But now it’s mainstream. Nothing more to see.

Sestina Day 88: Posh Poetry

This poem is NOT for Tony Walsh’s birthday. Apparently he didn’t want one, because sestinas are “posh poetry”. Fine, then.

I understand you’re here because you’re interested
In learning more about posh poetry
The high flown forms unsuited to performance
No cheap and tawdry jokes or laughter here!
My poetry is serious, not rude
We’ll start of with the sestina or sextain.

I hope you do not think that I’ll let sex tain-
T my poetry! No! I’m not interested
In anything that’s untoward or rude.
Quite intellectual is my poetry
You’ll find none of your innuendoes here!
Mine is a pure, enlightening performance!

Although it may well hinder my performance
To use, more than six times, a word like “sextain”
And hope that there’s no smutty pun to hear
When vulgar listeners are interested
In sullying my noble poetry –
Implying that the word I chose is rude

I know that when you hear it, it is rude.
I know that when you come to a performance
You’re hoping for a kind of poetry
More “carry on” than “carol-ann” – and “sextain”
‘s the sort of word to get you interested
But really, I can’t help it if you hear

Exactly what you all expect to hear.
Some cheap and tasteless poem, low and rude,
About some lady who is interested
In locating a partner whose performance
Will leave upon her sheets a sticky sex stain.
Well fine, if that’s what you call poetry!

But sextain is a form of poetry!
Who’s interested in innuendo here?
Oh. All of you prefer a rude performance!

Sestina Day 87: Commuter

I wanted to write a train poem, after Philip Larkin. I was also thinking about my friend Constance Commuter – although what she does on the train is use her blog to smackdown on “travelling douchebags”. That’s probably another poem.

Early light, pink and mauve from the window
It seems I’ve been awake several hours
And I’m cooling my cheek on the glass
As the 5.55 express speeds
Trees and bushes all blurring together
Jolted, rattly-bang, out of sleep.

If I could, I would certainly sleep
But instead fix my eyes to the window
In a trance, watch it all blend together
Settle down for the next pair of hours
And I notice the different speeds
Of the things I can see through the glass

For the things that are nearest the glass
Seem to rush past my face, though I’d sleep
I cannot, when each silver birch speeds
Terrifyingly close, past my window,
And I have to survive this for hours
And get off feeling calm and together

I’ve two hours to get it together
Just for now I can gaze through the glass
Make the most of my travelling hours
And as long as I can’t get to sleep
I will dream while awake, at the window
That these frankly ridiculous speeds

Are not needed. Why go at these speeds?
Why not chug through the country together
Let the trees amble on past the window
At a leisurely pace, as the glass
Keeps the steam from disturbing my sleep
On a beautiful trip that takes hours

But I haven’t got so many hours
So I must go at breathtaking speeds
Though I slump in my chair, half asleep
Try to gather my work-thoughts together
Peel my damp, clammy cheek from the glass
As the station pulls up to the window.

I won’t sleep for at least 14 hours
Past the window the countryside speeds
As the trees blur together through glass

Sestina Day 86: Finding The Venn

This is for The Venns.

If you like the feeling of being a winner
Of knowing the answer and getting things right,
Then gather some friends and head off to the pub!
If you’re lucky, you’ll find that they’re having a quiz
Giving you a great chance to display all your knowledge.
Remember: it’s all about finding the Venn.

Now wait, let me go back a bit: clever John Venn
Invented a diagram. He was a winner
With all of his cool mathematical knowledge.
And he knew common ground would make everything right.
You can use his discovery down at the quiz
Become local celebrities down at the pub.

I don’t know if he spent lots of time in the pub
But I have a feeling that clever John Venn
Would have done very well if he’d been on a quiz
Team. But all on his own he’d have not been a winner.
He’d have known all the diagram questions alright,
But how is his Hollywood trivia knowledge?

Each team member has their own circle of knowledge.
They should intersect, so when down at the pub
You can all help each other to get it all right
Nobody can do it alone: Not John
Venn,
Margaret Atwood, Gok Wan, Emma Freud, Michael Winner,
But put them together, they’d win every quiz!

There’s something amazing ’bout winning the quiz,
Of both having a drink and displaying your knowledge,
Cause it’s not every day you can feel like a winner.
And there’s no fun in sitting alone at the pub.
Bring a disparate group and you’ll soon find the Venn,
The more varied you are then the more you’ll get right!

If you’re thinking “this sounds like a plug”, you’d be right!
Down the Greystones tonight, there’s an excellent quiz.
Presented to you by a team called the Venns
Bring a circle of friends and your circle of knowledge!
Get the 81 bus up the hill to the pub
With a bit of good luck, you will soon be a winner!

Old John Venn and his diagrams got something right:
You can’t be a winner alone at a quiz*
If you’ve knowledge and friends, then get down to the pub!

*well, sometimes you can, but where’s the fun in it?